My photographs always begin with a question or some curiosity that arises within me. In more than thirty years, I have rarely photographed the external world for its own sake, but for the ways in which it helps to reveal subconscious processes and evoke meaning. I generally focus on a single subject in a related series of images, which allows me to hone in on the heart of what I am after. I also have a contemplative awareness practice that is of central importance to me, and which guides and enhances my working methods and my output.
As an artist who has always liked to experiment, I find that pushing the boundaries of what is possible with both camera and darkroom techniques motivates my best work. I photograph with film and sometimes use a pinhole or Holga camera for making images. I love the darkroom process and take advantage of every tool and technique at my disposal. Playing with exposure, focus, and a wide variety of photographic chemicals, I embrace creative accidents, and willingly abandon rules of darkroom procedure, with the intention of expressing a distinctive vision by whatever method seems right. I sometimes print my gelatin silver pieces digitally, but only after darkroom work is completed.